Wow its Been a While

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So now we’re in the year 2021 but it still feels like we’re on the 594,424 day of March 2020. Like all of us I have been living the quarantine life and don’t have any plans on changing that in the next year as the vaccines start to roll out. So it has been a while since my last real significant release of music. In the beginning of 2020 I released “Rule of three” just in time to start the joys of lockdown. I loved that album but in the end it was just missing something for me. I think in writing it all the previous year I had such hopes for its story and flow and in the end I just wanted it to be done and I think it showed. My hope is in the future I will be able to get back in there and re-write some of it to make it feel more like the work I had intended. But but but in new and exciting news, my work from 2020 is now in the final stages of completion!!! I am actually in the final stages of mastering and fixes and if all goes well I could have release dates for my next works soon!

So speaking of this new work what is it???
Coming off the last release I was disappointed so I went back to my idea book and gave things another think. What kind of music do I write, what am I trying to say or share? These were the questions that I slammed up against and it went about as well as as I could have hoped. 6 months of writing and performing bits, throwing half of it away and starting over and then repeating that till I got to where I am now.

This is what I have learned about my music:

  • Its not really music as it is more of a personal auditory soundtrack of my emotions and experiences. I was talking to a friend and said “you know what I don’t write music I write auditory spells”. I think this was the missing bit for me because I got my head too far into the game of trying to be what others were describing me as and now I feel less trapped by my own cage of definitions.

  • When I write I usually start grouping ideas into relatively loose buckets around some kind of theme I have made up for myself. In previous incarnations “13 parts” is a story about a stray cat rolling through a cyberpunk city and for “rule of three” it was a weird story about the many voices of the stories we tell ourselves. So for this year I had started a folder called “Organics” which was going to be about blending with the digital but then I made another folder “Mandelbrot” and then another called “terminal” and another called “Phones”. As you can probably guess this was a bit much but I think that reflects the incredible chaotic energy of 2020, I could not focus to save my life watching what was happen outside. I beat myself up for this really hard and in the end this wild set of folders was really good.

  • After a good long time the narrative finally showed itself, I am going to be doing two different releases “Made from Airports” and “Pocket Dimensions” .

    • Made from Airports - Remember airports, not just the flying but actual airpots. I love and at the same time completely worn out by the idea of airpots. I traveled a lot and I was in airports a lot and made lots of little recordings and had recordings from friends and wanted to use them some how. So I worked to make these clips be apart of, made with sound’s of, and constructed in a way that gives a feel of a travel day for me.I purpose do not cover actual air travel as I am saving that for a later project or the continuation of this project. No “made from Airports” is really just about airports, up until 2020 I kinda believed that airports are the most lived in public spaces that nobody actually calls a home so it needed to be its own story. Its long and full of lots of empty spaces to get lost in and honestly the track “terminal too” is a beast and if does not make you feel as worn out as actually being in an airport terminal all day if listened to intensely.

    • Pocket Dimensions: This is a big lineup of work and the combination of “Organics, Mandelbrot, and parts of Phones”. I wanted to have a collection that reflected my own disconnect from the world and the joy of popping into auditory worlds where I could be taken away. But its not that random its more of this, imagine if you are some kind of witch or mage and you store your memories in tiny little pocket worlds outside of this reality and that these memories live in there own little pocket worlds start to evolve and grow on their own. Its a collection that I think reflects my own contradiction of emotions some are more forward as to what they are and others are left up to you to intemperate for yourself.

      • For reference on the original theme buckets:

        • Organics - All about how to be more organic both with my playing and instrument choices and really even playing. There is also a really big element of found audio like using my voice to make a sampler synth or just even lots more vocals both my own and dear friends. (in the future I hope to get more confident and just sing the stuff I want)

        • Mandelbrot - Mathematical was the original inspiration. Math is really neat and so are mechanical things like watches. I wanted to represent this in audio and so there are lots of tracks that have lots of mechanical beats but also like fractals kind of spiral off in a way and returning to structure.

        • Phones - I love old school telephones and kinda everything about them. In a side project that I am working on “hopefully due out later this year” there is a lot of focus on telephony and I wanted just a little flavour of that in pocket dimensions. I grew up with a land line and being a hacker phones and hacking were best friends so I wanted to share some of that because when I was a kid and I picked up the phone it was really easy to imagine that what was on the other line was in a different world. It was connection personified to me and of course I know how it all works now but as a kid it just felt magical and honestly in a way it really still does for me.

So thats really it I am lost in the final editing and scoring and slowly moving through the mastering process. Since I do all of the work myself I have to break it into chunks to get my head in the right space for each task. Its a lot to do from writing, performing, composing, editing, and mastering but there is a giant satisfaction sticker for being able to do it all yourself. Is it as perfect as if I had someone else do it no but its mine and I am still really proud of that. As my dear partner said to me when I was lamenting on about how I suck at this to shut up because I need to stop comparing myself to anyone else and just focus on what I want and whats fun for me. I cherish those words deeply.

The Bridge

This image I drew after waking up from a weird dream full of a cast of characters I had not previously imagined so I drew them all in this collage.

The Bridge is a 25 minute jump into the unknown of what I want to do next. In a way this track is drowning in its own sound and carried by an unrelenting stepped beat that just seems to go on for forever. The song was captured live in one take and for me personally it was an emotional rollercoaster to dive into the place to find these sounds and the vibe. I must have recorded 30 takes before I got this one that really lined up with how I was feeling at the time. For me its a way to mark the departure from what I was doing before and push skill areas and try new things before I start work on the new album.

Video
https://www.youtube.com/watch?v=m8E5MCTV_aM&list=OLAK5uy_mF6WzyV4RwVC8emIG7VYI9QkAaVkdiqO4

13 Parts - Deeper thoughts

Taken during the writing of 13 Parts, I think I am somewhere in the middle of it lost in sound designing some element.

Taken during the writing of 13 Parts, I think I am somewhere in the middle of it lost in sound designing some element.

I use a combination of over 50 synthesised instruments both real and virtualised throughout the album that are all from the 70’s to the early 90’s. The most featured sound is that from a Yamaha DX7 both several versions of real hardware and virtualised. I really found this keyboard and FM synthesises to be such a strong narrative creator and I think about its voice as our lead characters. You will also hear water sounds, rain, and ocean/wind sounds that are also all being generated by synthesises. These are created on a Arp 2600 and a Buchla Music Easel and are there for a few reasons the first being a transitional fluid to help you in and out of each audio story and to bring you down in scale to the cats level so you can experience a more connected feel with the ground level and visual landscapes I hope to create with these textural spaces.

Notes and mentions for each track:

- The Expanding City (part 1) - This track and its counterpart were originally one piece that I decided to split into two like bookends for this albums sound story. The track to me really tells through sound the feeling of what it would be like to watch a city unfold like a flower or render slowly on an old computer.

- Choices - the world is full of them and we are constantly bombarded with them because thats what reality is in some ways. we hope that we make good choices even when we don’t realise that we are making choices. This track to me is an auditory representation of those choices and how they can lead you places.

- 3D Printed Life - Things build and this track is a representation of things building up much like a 3d print would. layer by layer the intensity and complexity of the track builds on its self. Its a fun one to close your eyes to and let it build shapes in your head and you drift off in its soundscape.

- Little Gibson - Named after my guitar that I used in this track this one is a playful jaunt into a weird little place. I was originally going to only use synths for my music going forward I ended up brining a guitar back into the mix and I couldn’t be happier. Its something that I carried forward into the next album because of this track.

- Digital Tigers - This track was written together with my dear friend Courtenay Gasking (C3). Its such a fun and mischievous track that really plays with a fun back and forth nature of high pitched sounds and a wandering low end that wants to know more or might be wanting you to follow it into the shadows.

- Disassembly - Using the power of a virtualised CS-80 the synth that made the blade runner soundtrack so iconic this track for me is brining the city back in as a character and letting it breath a little and remind us that its there.

- Pigments - This is a personal fav track as it was the a moment where I saw my piano playing just magically jump up in complexity. its a fun reflection track that ended up being really positive for me and is one of the last tracks I wrote for this album.

- Left - For me this is like the little stories of what we leave behind each day and the sometimes complicated and delicate feelings that leaves us with.

- Error Proxy - This one has a an out of sync beat on purpose, I really thought it would be fun to have this come into unity as a reward for going through the track.

- Frequency Interlace - Sometimes shit its the fan and gets moving so this is definitely that song for this album. its harder in some ways but rounds out to a fun ending. This song started out long before this album as a weird track I wrote for a 80’s racing montage.

- Underbelly Deli - To me this one gave me the feeling of going to a little noodle bar deep in a dark subway station. The play with soft and grimy and funky tempos and sounds just make this one feel so textured to me. Definitely a favourite and the second to last track I wrote for 13 Parts.

- Colony Reprise - I will admit I wrote this one in a sad place and may sound optimistic but to me its reflective of dreams not realised and sometimes lost to resignation that they will never happen. Its a bitter sweet place and one I wanted to share.

- The Expanding City (part 2) - The second half to the opening ballad this wraps up our story and in some ways its the city folding up again and in other ways its the city continuing to expand but it just depends on what it makes you feel.

New Album "Rule of Three" Out April 10th

It’s done the second album and I am so excited to share this all with you. This album was a massively emotional journey for me and I think I finally am getting the hang of the workflow of writing, performing, and producing.

This journey is one of a personal introspective and takes you through the places in my head over the last 6 months. Everything from the happy moments to the painful ones. This album has a much darker tone and follows a bit of a different thread than the first. I would say its tone is less optimistic but there are happy moments in there but I cannot help but reflect on current times. Isosolation is a track that I am beyond happy and proud of and I think is the highlight of happy on the album. Jupiter Function is a really deep cut and pay attention to the back half of the song, close your eyes and be eaten by the sound thats as large as the gas giant in our solar system.

Links will be up soon!

https://distrokid.com/hyperfollow/multinationalsynthcorporation/rule-of-three

Until then enjoy the Music video for Isosolation - https://www.youtube.com/watch?v=7s7j4-8lrzY

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Twenty Eight (Single) - Now Available

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Get it today on all your favorite music places:

ITunes - https://music.apple.com/us/album/twenty-eight-single/1483278438

Google Play - https://play.google.com/store/music/album/Multinational_Synth_Corporation_Twenty_Eight?id=Bopy2vtsrrb3ouejemykyafipeq

Amazon - https://www.amazon.com/dp/B07Z1CB1JZ/ref=sr_1_fkmr0_1?keywords=multinational+synth+corporation&qid=1570908480&sr=8-1-fkmr0

its also available on all of these - Spotify, Apple Music, iTunes, TikTok, Google Play/YouTube, Amazon, Pandora, Deezer, Tidal, Napster, iHeartRadio, ClaroMusica, Saavn, Anghami, KKBox, MediaNet